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					| John Fullwood F.R.S.A, 
					R.B.A, F.S.A 1855 - 1931 - Artist
 Born Worcester Street Wolverhampton
 Compiled by David Fullwood
 John Fullwood, my third cousin four times 
					removed, was born in Wolverhampton in mid 19th century and 
					ultimately became a successful world renowned landscape 
					painter, etcher and illustrator. 
 Born in the first quarter of 1855 in Worcester Street 
					Wolverhampton, John was the son of Joseph Fullwood 
					(occupation cooper) and Mary Ann Fullwood (nee Gaunt).
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							| Two views of 
							Worcester Street Wolverhampton. |  |  
				
					| John first appears aged 6 in the 1861 Wolverhampton 
					census living at 68 Worcester Street in the St Mark's ward 
					area of Wolverhampton along with his parents Joseph, Mary 
					and eight other siblings (Jane, William, Joseph, Albert, 
					Alfred, Henry, Mary and Emily). John's families ancestral 
					roots originate from the Sedgley branch of Fullwood's who 
					appear in that parish in 1533. John's great granduncle and 
					my x5 Great Grandfather is Daniel Fullwood b.1740. |  
				
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								| Henry 
								Fullwood b.1850, the brother of John Fullwood. |  |  
				
					| To date I have been unable to obtain a painting or 
					photograph of John Fullwood but there is a close resemblance 
					in the form of a photograph (shown above) of John's brother 
					Henry who emigrated to Melbourne, Australia in 1883 and saw 
					the effects of the Krakatoa explosion during his journey. 
					Photograph kindly provided by Henry's great granddaughter 
					Anne Robertson nee Fullwood. 
 By 1871, at the next census, John has moved to the All 
					Saints ward of Birmingham living at 55 George Street and 
					shown as "unmarried" living with his older brother William 
					Fullwood and his wife Ann Elizabeth Fullwood.
 
 Although John is aged 16 at this point his occupation is 
					described as a "Chase & Embosser". It doesn't state what 
					industry he was working in but it is most likely he is 
					working in the printing industry and this job probably gave 
					John the opportunity to use his etching and drawing skills. 
					William Fullwood's occupation, John's 26 year old brother, 
					is shown in the census as "electro-plate maker".
 
 John Fullwood studied at Paris and Birmingham and his 
					paintings were displayed at the Royal Academy on 21 
					occasions and by the Royal Society of British Artists on 99 
					occasions. From about 1874 to 1900 he was based in 
					Birmingham living in Broad Street. He displayed no less than 
					67 paintings at the Royal Birmingham Society of Artists 
					exhibitions.
 
 By 1892 newspapers were reporting John having a considerable 
					reputation as a landscape artist and confirmed he had 
					exhibited at the Royal Academy, the Grosvenor Gallery, the 
					New gallery and the Paris Salon.
 
 The New Gallery at Walsall holds 43 John Fullwood art works:
 http://www.thenewartgallerywalsall.org.uk/search/?creator=Fullwood,+John&what=collection
 
 The Wolverhampton Gallery has large holding of John Fullwood's works. 
					See:
					
					http://en.wikipedia.org/wiki/Wolverhampton_Art_Gallery
 In the 1870s many of Wolverhampton's old buildings were 
					starting to disappear under a wave of modernisation and John 
					Fullwood faithfully recorded them before their demolition. 
					In 1880 some of these drawings were included in a set of 
					etchings in his book called "Remnants of old Wolverhampton 
					and its environs". The book is one of the few published 
					records of the City at this time and I have included some of 
					John's drawings below:
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					| The book was originally published in parts with 
					descriptive notes accompanying the etchings signed "E.B." - 
					the local architect, Edward Banks. 
 The first part was enthusiastically reviewed by the Art 
					Journal. The review may have been written by George Wallis, 
					a regular contributor and a Wulfrunian.
 
 The review starts: "'Old Wolverhampton!' The sound is 
					suggestive; the 'remnants' of the old town are of deep 
					interest to the antiquary and the historian; many of them 
					have succumbed to time and others are in the course of rapid 
					decay; the 'effacing fingers' are leaving little of them but 
					their memory. It is a wise and patriotic scheme that 
					preserves their portraiture before they are gone."
 The reviewer then suggests that other cities and boroughs 
					should do the same "although it may be that there are few 
					localities that yield so fruitful a harvest". The review 
					says that "the etchings display much artistic ability, skill 
					and judgement in selection" and that this is "an assemblage 
					of meritorious etchings by an artist who understands his 
					work and evidently loves it".
 
 In 1881, the census states John aged 26 by this time is 
					still living in Birmingham at 195 Lea Bank Road with his 
					wife Kate aged 22 and his daughter Maybell Gaunt Fullwood 
					who is just 8 months old. John married Kate (nee Rooker) in 
					Birmingham during third quarter of 1877. John's occupation 
					for the first time in this year is described as a "Landscape 
					artist".
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			 Extract from "The Cornishman & Cornish 
			Telegraph" dated 26th November, 1931.
 
				
					| John was a former member of the Newlyn School of Art and 
					a resident for a number of years in Newlyn Cornwall. The 
					Newlyn School was an art colony of artists based in or near 
					Newlyn, a fishing village adjacent to Penzance, Cornwall, 
					from the 1880s until the early twentieth century. 
 A move to London for John then took place in 1891 where the 
					census for the North Ward of Richmond Surrey records him 
					living at Coombe House, Stanmore Road with his wife Kate and 
					daughter Maybell Gaunt Fullwood aged 10.
 
 In the 1901 census, John aged 46, is living in Slinfold 
					Entire in Sussex with his wife Kate and daughter Maybell G. 
					Fullwood aged 20 (unmarried). Why John is living in Sussex 
					at this time is unknown but he could have joined up with an 
					artist group based in this area. However, Henry Fullwood, 
					John's brother, has a son called Edgar Fullwood who 
					emigrated with him to Australia. Edgar marries Edith Delves 
					in Melbourne and her father John came from Slinfold in 
					Sussex.
 
 John lived in Sussex for 10 years and in 1907, John was 
					awarded a "Civil List" pension of £75 per annum, "in 
					consideration of his attainments as a painter and an etcher, 
					of his impaired health, and straitened circumstances".
 
 He also had a house at Twickenham and considered the display 
					of his paintings in major London galleries as the most 
					important part of his career. By 1911 John and his wife Kate 
					are living in Sunbury on Thames.
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			 From The Times newspaper, 14th November, 1931.
 
				
					| John Fullwood sadly died intestate at Twickenham London 
					on 9th September, 1931, at the age of 76. His gross estate 
					was valued at £1395 and net became £376 with letters of 
					administration granted to his widow Mrs Kate Fullwood. He 
					was a member of the Royal Society of British Artists and one 
					of the oldest members of the Royal Birmingham Society of 
					Artists. 
 
 Information has been compiled by: David Fullwood, with a 
					special thank you to a descendant of John Fullwood's - Mrs 
					Anne Robertson nee Fullwood from Australia.
 
 As a member of John Fullwood's family, I would like to hear 
					from anyone who may have information related to my cousin's 
					life story. Please contact me on my email:
					
					david.fullwood@btinternet.com
 
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