New Owners

In 1920 the theatre became part of a circuit that was run by the Variety Theatres Controlling Company Ltd., under the management of Charles Gulliver. The new owners decided to spend around £30,000 to improve the facilities at the theatre for both the artists and the visiting public. The plans for the alterations were produced by Bertie Crew, who was a well known theatre architect. The work was carried out in 1921, and the theatre was officially reopened as ‘The Hippodrome’, by the Mayor, Councillor J. Thompson, on the afternoon of February 21^st 1921.

In the mid 1920s Mr. Cranmer Smith became theatre manager and in March 1928 Charles Gulliver sold his interest in the Variety Theatres Controlling Company Ltd. to Walter Gibbons, who created the General Theatre Corporation (G.T.C.) consisting of 56 theatres, cinemas and dance halls. In September of that year George Black became Managing Director of the G.T.C., which now came under the control of the Gaumont-British Film Corporation. In 1932 the G.T.C. and Moss Empires merged with George Black in charge. He was now in control of 53 theatres.

A New Use

The Gaumont-British Film Corporation also ran the Queen’s Picture House, The Scala and the Agricultural Hall. In 1931 they decided to demolish the Agricultural Hall and replace it with a modern showcase cinema to be called the Gaumont. While work was in progress the film licence was transferred to the Hippodrome, which was quickly converted to a cinema in September of that year. The Hippodrome cinema opened its doors on September 28^th under the management of Mr. Shawcross and continued to show films until 27^th August 1932. The most memorable film shown during this period was James Whale’s ‘Frankenstein’ starring Boris Karloff. The film ran for one week starting on 13^th June 1932.

On the 5^th September the Mayor, Councillor J. Haddock attended the ceremony to mark the opening of the Gaumont Palace cinema and the reopening of the Hippodrome as a variety theatre under its new manager Jack Daniels.

Mr. Daniels would greet patrons in the foyer, wearing full evening dress. He also promoted visiting artists by arranging personal appearances in local stores.

During the 1930s competition was rife between local cinemas and theatres and many improvements were made to the theatre to help attract visitors.  In December 1932 the orchestra pit was modified to provide better accommodation for the musicians and in the following summer new stage lighting was installed and revolving lights were mounted in the dome on the theatre roof. 1933 also saw the introduction of amplified sound with a microphone on the stage. The theatre was redecorated in 1934 and the scenery repainted. Mr. Cecil Stout became the new manager in 1937.

The 1940s and early 50s

The Second World War was a boom time for theatres and cinemas and the shows were well attended during this period. Government restrictions meant that performances had to end by 10.00 p.m. but other than this it was business as usual. The theatre management was taken over by Mr. Barry Storri in 1941. He went into the R.A.F. in 1943 and was replaced by Mr. J. Sullivan. The following year Mr. Sullivan left and was replaced by Mr. Percy Gibson.

In March 1945 George Black died and his assistant Val Parnell took over. The following year G.T.C. and Moss Empires were rationalised, with G.T.C. concentrating on the group’s cinemas and Moss Empires running the theatres. There were now only 24 theatres in the group, some had been destroyed in the war and others had closed. 

Little had been done to the Hippodrome for many years and when it changed hands the Watch Committee inspected the building and produced a list of improvements that had to carried out. The work was duly done and improvements were made to the toilets, dressing rooms, and the wartime blackouts were removed.

The 1950s was a bad time for variety theatres and many went out of business. The Hippodrome was managed for a time by Mr. A.J. Matthews, who was Butterworth’s General Manager. In 1951 he was succeeded by Mr. V.R. Stevens, who was better known by his stage name; Steve Daniels.

The End of an Era

Although audiences dwindled, the theatre managed to keep going with a mixture of variety shows featuring radio and TV personalities and a series of nude shows, which attracted a certain audience. Moss Empires soon closed and takings fell, with the nude shows bringing in much-needed cash. Sunday evening band concerts were introduced in 1955 in the hope of attracting more people to the theatre. The 1955 pantomime was ‘Sleeping Beauty’ and in January 1956 there was the annual visit of Carol Levis and his discoveries. This was followed by a variety bill featuring Peter Sellers and Max Geldray, from radio’s Goon Show.

The week beginning the 6^th February featured ‘Jane’ and her act based on a well known cartoon. At the end of the week Mr. Stevens left and was replaced by Mr. Ralph Powell who had previously been Musical Director at the Hippodrome. Mr. Powell’s first show was to be the theatre’s last. It was called ‘Magicana’ and featured Virgil, an American illusionist.

A war time programme.

The show finished its run on Saturday 18^th February and the theatre was locked-up at 2.30a.m. the following morning. After the performance a slight smell of burning was noticed but nothing was found. At 3.30a.m. two police officers saw smoke coming from the roof. They broke into the building and found that the orchestra pit and the stage were alight. The fire brigade were called but by the time the fire was under control, little remained. The Moorish facade at the front survived as did the Hippodrome Saloon, which remained open for a further two years. The fire was thought to have been started by a carelessly discarded cigarette.

The estimated cost of rebuilding the theatre was £130,000, but as many of the local theatres had closed due to dwindling audiences, its fate was sealed. The site was sold to a property developer and the Times Furnishing store was built on the site.